Amalgam 4 points, ever so deliberately, toward the inextricably intertwined relationships between typography, language, and power. In doing so, it assembles a series of essays, anecdotal notes, conversations, and artworks that engage with, hint at, or revolve around the theme of collapse. From collapse of language syntax, to collapse of semantics, barriers between languages, and language itself, this collection reverberates the material and immaterial conditions, formations, reproduction, and dissemination of power through language and typography. A series of revolutionary headdresses; the auditory and polemic bonds between the letters X, ח, and خ; the interiorities of illegibility; the downfall of the ancient Silk Road patterns; the West Asian Goddesses; an asemic grief; a deliberately missing language; a hearty stutter; and an Aleph that wore a hat to school.

Amalgam is an ad hoc transdisciplinary journal that explores the intersection of typography, language, and the visual arts. Designed and edited by Pouya Ahmadi.

Contributors of this issue: Adrien Flores, JJJJJerome Ellis, Klara du Plessis, Sophie Seita, Luis Camnitzer, Slavs and Tatars, Mimi Ọnụọha, Minh Nguyen, Maia Ruth Lee, Mashinka Firunts Hakopian, Helina Metaferia, Paul Soulellis, Carlos Motta, Lucy I. Zimmerman, Kameelah Janan Rasheed, Paul Benzon, Morehshin Allahyari, Anahita Razmi, J. Dakota Brown, Shabahang Tayyari, Mahan Moalemi, Counter Forms, Dennis Grauel, Sasha Wilmoth, Thy Hà, Alec Mapes-Frances