Bricks from the Kiln #5
Bricks from the Kiln
Bricks from the Kiln
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Bricks from the Kiln #5
Bricks from the Kiln
Bricks from the Kiln
Bricks from the Kiln is a semi-yearly journal and multifarious publishing platform publishing platform established in mid-2015 to support critically minded and explorative writing on an around art, design and literature. Edited by Matthew Stuart and Andrew Walsh-Lister, the forthcoming issue, number five, begins with a single sentence:
(Louis Lüthi) — blankets topologies in glistening snow and blood (Helen Marten) — produces instructional spattering, again and again (Rebecca May Johnson) — coughs up clotted network diagram hairballs of illegibility (Johanna Drucker) — parasitically draws on / from Thomas Browne’s quincunx (Daisy Lafarge) — meets for The Big ROAR tomorrow, yesterday (Holly Pester) — lifts loud cows off the page, aloud (Ursula K. Le Guin) — flips the coin of language, heads or tails? (Quinn Latimer) — politely speaks on writing heard yet seen (Stefan Themerson) — twists tongues, transliterates and teases (Slavs and Tatars) — makes contact with ancestral spirits (Ashanti Harris) — traverses the foothills of La Marquesa, past and present (Catalina Barroso-Luque) — is the Spectre at the feast (Kevin Lotery) — (re)traces polymorphous concrete poems (Bronac Ferran with Greg Thomas) — dashes, gestures, speaks, breathes, moves, joyness (Astrid Seme with Alex Balgiu) — is, as ever, tentative, incomplete and inconsistent.
Contributions by: Helen Marten, Rebecca May Johnson, Johanna Drucker, Louis Lüthi, Daisy Lafarge, Holly Pester, Ursula K. Le Guin, Quinn Latimer, Stefan Themerson, Slavs and Tatars, Ashanti Harris, Catalina Barroso -Luque, Kevin Lotery, Bronac Ferran with Greg Thomas and Astrid Seme with Alex Balgiu.
Author(s): Various
Year: 2022
Pages: 208
Dimensions: 17 x 22.47 cm
Cover: Softcover
ISBN: 978‐0‐9956835‐4‐9
Language: English
(Louis Lüthi) — blankets topologies in glistening snow and blood (Helen Marten) — produces instructional spattering, again and again (Rebecca May Johnson) — coughs up clotted network diagram hairballs of illegibility (Johanna Drucker) — parasitically draws on / from Thomas Browne’s quincunx (Daisy Lafarge) — meets for The Big ROAR tomorrow, yesterday (Holly Pester) — lifts loud cows off the page, aloud (Ursula K. Le Guin) — flips the coin of language, heads or tails? (Quinn Latimer) — politely speaks on writing heard yet seen (Stefan Themerson) — twists tongues, transliterates and teases (Slavs and Tatars) — makes contact with ancestral spirits (Ashanti Harris) — traverses the foothills of La Marquesa, past and present (Catalina Barroso-Luque) — is the Spectre at the feast (Kevin Lotery) — (re)traces polymorphous concrete poems (Bronac Ferran with Greg Thomas) — dashes, gestures, speaks, breathes, moves, joyness (Astrid Seme with Alex Balgiu) — is, as ever, tentative, incomplete and inconsistent.
Contributions by: Helen Marten, Rebecca May Johnson, Johanna Drucker, Louis Lüthi, Daisy Lafarge, Holly Pester, Ursula K. Le Guin, Quinn Latimer, Stefan Themerson, Slavs and Tatars, Ashanti Harris, Catalina Barroso -Luque, Kevin Lotery, Bronac Ferran with Greg Thomas and Astrid Seme with Alex Balgiu.
Author(s): Various
Year: 2022
Pages: 208
Dimensions: 17 x 22.47 cm
Cover: Softcover
ISBN: 978‐0‐9956835‐4‐9
Language: English
