NANG is a 10-issue magazine dedicated to cinema in Asia. A limited-edition collection of words and images on cinema, for knowledge, inspiration, and enjoyment.
Issue 4 is dedicated to In & Out. Featuring artists and filmmakers who voluntarily or involuntarily moved outside of their country of origin, this Issue focuses on hyphenated identities and films that exist in the in-between. Inspired by Hamid Naficy’s “accented cinema,” the texts offer a glimpse into what an intercultural genre and films might look like and whether the de-territorialization of the filmmaker produces certain traits and characteristics that these films share. Ranging from image-led dialogues to in-depth essays, this Issue hopes to serve as a counter to the narrative of hostile simplification that has embroiled the topic of migration in recent years by celebrating the diversity of voices and experiences that the hyphen brings.
With contributions by: Graiwoot Chulphongsathorn, Nazlı Dinçel, Sophie Hope, Shanay Jhaveri, Shama Khanna, Simon Liu, Mohsen Makhmalbaf, Nat Muller, Hesam Nasiri, Danelle Ortiz, Babak Zakeri.
And special sections with artwork by: John Clang, Dawood Hilmandi, Hiraki Sawa, Shitamichi Motoyuki.
Julian Ross is a film programmer, researcher and writer. Programmer at International Film Festival Rotterdam and Leverhulme research fellow at University of Westminster.
Maryam Tafakory is an artist-filmmaker and researcher, writing on experimental film-feminism. Selected filmography: Takli (2014), Poem and Stone (2015), and Absent Wound (2017).
Editor-in-Chief: Davide Cazzaro
Guest Editor(s): Julian Ross, Maryam Tafakory
Dimensions: 24 x 17 cm